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Location Sound Mixer

RED Audio Part 2: The Right Equipment

August 4th, 2010

Even though the RED can record audio you should also run a audio recorder as well and have a proper double system work flow set up.  Many productions will tell you it isn’t needed or don’t want to pay for the recorder, smart slate and SBT sync boxes to do this but it is a [...]

New Equipment in our inventory Schoeps CMIT 5 U

August 1st, 2010

To better serve our clients we have added one of the top microphones in the industry the Schoeps CMIT 5U below is what they say about this excellant microphone:
The Schoeps CMIT 5U Shotgun microphone is a recent product from one of the most respected manufacturers of professional microphones. The emphasis was on matching [...]

RED Camera Audio Part 1: Audio Quality

August 1st, 2010

I haven’t been posting much recently due to my work schedule, However I am going to be writing a number of posts about RED Camera Audio.  Is the audio on the RED Camera good enough?
The simple answer is no but many editors think it is and will still use it. The RED camera makes pretty [...]

Zoom H2 Back up/ Transcription Recorder

May 31st, 2010

I am always trying to work the most effective way I can and having a spare recorder can never hurt. My primary recorder has always been a sound devices recorder and has always preformed well in all conditions. However sometimes I just need a simple recorder as a back up or to do a Mp3 [...]

New Equipment Added to Our inventory Denecke TS-C

May 9th, 2010

To better serve my RED and Film clients I have added the premier time code slate in the industry the Denecke TS-C  Slate.
This small but compact slate supports all frame rates and is back lit below is the denecke website information about the slate:
The Denecke TS-C is a compact full featured smart [...]

When to use 48.048

March 28th, 2010

Great Article By Julian Daboll on Trewaudio.com
Below are the main 4 point please visit the link above for the full article
Here are 4 rules of thumb that determine whether or not 48.048 kHz workflow is possible in your project, and how it must be used. These are:
Rule # 1: That 48.048 [...]

My R12 Cart

March 18th, 2010

Well I got my R12 cart earlier this week along with the Top Shelf and deck lid. The cart is very well built and easy to use, However both shelves aren’t as well built. The bottom shelf mounting points were slightly off so I had to trim them with a handsaw not a big deal [...]

Adding a Sound Cart to my Package

March 11th, 2010

As someone who is very diverse in the types of work I do I am always looking add equipment to my package to make my life easier. After doing a number of studio and commercial shoots this year. I realized it was time to get a sound cart my goal was to find something that [...]

Canon 5D Camera Audio

March 10th, 2010

The Canon 5D Camera is quickly becoming the number one camera choice for many companies and operators. While the camera produces amazing images the audio options on the camera are poor. The  only real option to get good audio is recording it double system on a high quality professional recorder. Here is how I approach [...]

RED Camera Audio Follow up

March 10th, 2010

A few weeks ago I posted regarding my purchase of  of RED Camera Audio Cables and Timecode cables. I am happy to report that these cables are all preforming flawlessly. I can now do the following:
Using my Remote Audio ENG Snake to feed audio to the RED Camera and listen via the Headphone Matrix [...]

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Recent Comments

  • CHRISTOS: Hi again, Thanks a lot for your advice Lectrosonics...
  • whitney: Christos, The HD P2 sounds better, Best thing you can...
  • Christos: Hello, I use both TASCAM HD P2 ZOOM H2 at 96khz 24...
  • whitney: I am using it for Transcription only and a back up if...
  • Matt Cochrane: I’ve been using the Zoom H4 but have been...


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